TEST DRIVE MEME #1
TEST DRIVE #1 |
![]() The universe is fading into a bitter, cold blackness. Planet by planet, star by star, life is disappearing. For the good ship Koska IV there is no return voyage, there is no home, there is only forward. Behind it is the devastating emptiness of a life devoured, and the threat of an unseen enemy always at its heels. It can be argued perhaps that where the Kostka goes death follows, that it leaves ruin in its wake. If you ask Ripley, though, she'll say that they're only just managing to outrun the inevitable. Waking up aboard the ship feels strangely like waking up in a mausoleum. You emerge from your cryo pod like climbing out from a tomb, born new into a world long gone silent and still. The monolithic vessel now exists as a ghost town, halls dimly lit with emergency power, the only sounds being the mechanical ticking and groaning metal of the Kostka, laboring on like a wounded, burdened beast. Don’t mind the dust, the grime or the occasional blood splatter; cleaning is a nonessential function the droids don’t have energy to waste on. Kostka IV, once a transport designed for leisure cruises to and from new colonies, hobbles along on her last leg, urged on and on by the AI left to command her - R.I.P., affectionately termed ‘Ripley’ by her now absent crew. The sprawling, shadowy halls are only trafficked by Ripley’s minimal team of droids, the least that she can spare in straining her corrupted processes, much of both the ship and her systems in dire disrepair. Preserve organic life: Ripley’s primary, core directive and singular focus, the one goal above all else, which must be met, no matter the cost. And now, your goal too, as on Kostka IV, though crippled, Ripley is God, and the body your consciousness inhabits now is not your own - a semi-organic, synthetic host that morphs to fit the form you left, rather than the skin you were born to. You were saved from what is coming (for her, for you, for everyone), because Ripley needs more hands to keep this last ark of humanity afloat, as the ship struggles to find safe harbor, making stops along the way to pick up resources, to search for life. To find a home, and a future, for us all. ( Kostka is a panfandom, scifi, survival/horror jamjar, with elements of psychological and body horror (in varying, opt-out-able levels) peppered along with your general monster movie fair, driven by character interaction and influence with heavy meta-plot guided by regular mod events. Set on a mobile ship traversing through differing dimensions, characters are transported into semi-organic, synthetic bodies that replicate their canon form, able to be upgraded with powers through bonus AC rewards, and brought onto the crew to assist a debilitated AI in escaping a force destroying the multiverse, while they seek to salvage what remains of life. Events will feature some known canon worlds (like Resident Evil, Silent Hill, Bioshock, etc), along with some uniquely built between mods and player world-building. This game is invite-only, and we have a player cap of 30, with two character slots available for each player. The game has been inspired by: Battlestar Galactica, SOMA, Altered Carbon, Mass Effect, Passengers, Black Mirror, and various others. )
![]() Or, at least, that's most peoples' first guess. The color is more vibrant than water should be, and heavier, your body feeling sluggish against the weight and drag of it. Or perhaps you're just slower to respond, distant, limbs and mind still drowsy and reeling. The bright fluid doesn't sting when you blink, if anything, it's soothing, healing, calming. Fortunate, that, because you're going to need it. As the pod-like chamber you're held in starts to drain of the liquid, your senses start to flood back in. Awareness filters in like a window curtain holding back the morning sun, gradually easing away with each inch the water line lowers. There's something on your face - a mask, strapped around the back of your head, and other thinner tendrils against your cheeks, your ears, your neck. Narrow tubes are channeled through in your nostrils, and cables have slithered in through your ears, plugging into God knows what on the inside of your skull. There's a click that you feel more than hear, and the tension on them slacks, disconnected from somewhere inside you. Pull - up, back, to the side, whichever way you want - and they start to drag free. Far from the most pleasant feeling (likely leaves you wanting to crawl right out of your skin), but it doesn't quite hurt or burn, yet. That's for the inch wide tube shoved down your throat and held in place by the mask. It's also what's keeping you breathing underneath this blue space-goo though, so maybe don't go yanking it off until the lid of your pod opens. As the fluid drains, a voice crackles in over the sound of water oscillating around your ears. Not something played from a speaker anywhere, nothing projected on a screen, and whether the cables are still in your ears or not, you hear her all the same, as if she's more inside your head than she is broadcasting over a speaker inside the pod or coming muffled from outside. Even still, it's stuttered and interrupted, like the connection is weak, interference like static white noise buzzing through and covering up parts of sentences. ❝ I don’t have a lot of tim— RIP can’t spare the power to run this more t—, so pay attention. At the end of the long lines of cryo pods, the halls meet at a small medbay. It seems some merciful someone has left a stack of thin, cloth sheets on one of the medbay tables, so it's best you pick one up, towel off a bit, and then toga it, until you find something more durable. Hopefully, at some point, someone will discover a door leading to a storage room is unlocked. There, you'll find some very stylish, bright orange jumpsuits. With luck, you'll make it there before you freeze. NETWORK ⬡ AKA; welcome to Kostka IV, Have Some K-Pop![]() The system is fairly intuitive, and all one need do is reach up a hand to touch the option they wish to select. For text, a keyboard overlay will appear in the HOST's visual perception, and, dy default, all messages will show: a name, a username, and an ID code. Feel free to make these up as you like. These can be adjusted, and a HOST can post anonymously to the network as well (no guarantees Ripley can't trace it back to the origin, but she's not going to tell). There are no real rules on the usage of this network, aside from don't try to hack your friends, or your not-friends (just don't hack anyone, okay, it's rude). Ripley does understand the human need to socialize, especially in trying and stressful circumstances, so have at it kids. Ripley, however, will be making one quick announcement that she will not be capable of replying to just yet - waking you jerks up took a lot out of her, so give her some time. The voice that you hear doesn't come through any speaker or intercom around you, nor is it originating from any of the bodies or droids nearby. You hear what sounds like a young girl speaking as if inside your head, and she sounds exhausted: ❝ ATTENTION ALL CREW: This is Ripley. MAINTENANCE ⬡ AKA; get that human skull out of the filtration tank pls, or u stepped on a droid and now it's mad.![]() It's been nothing but RIP and her droids for the last who knows how long, so those things that need to be functioning for the continued survival of organic bodies need to get working. Here's the chores on the docket: ⬡ Water Filtration; Hydration - always a must for you squishy, fleshy things, isn't it? The canal that runs through the Ring atrium is a large part of the reserves, and at one dark innocuous end an uncomfortable grinding noise can be heard. Beneath the surface of the water where there should be wall, there is instead an enormous fan about ten feet in diameter. It's grinding so loud the sound escapes the water barrier, and the cause is pretty clear. There's something wedged between one of the fan blades and the circular housing it's contained in. Someone will need to dive down ten or twelve feet and unstick the human skull stopping the filtration system from running. Beware, though — the second it's free the fan blades will begin spinning, sucking gallons upon gallons of water down into the depths. Hope you can swim!Good luck, have fun, try not to die because Ripley's exhausted from waking you up, and the droids suck at first aid— not to mention, very stiff bedside manner. VR / SAFETY TRAINING ⬡ AKA; ur gonna die a lot because space sucks.![]() It's a One Time Offer (well, we're calling it that now): the crew working away has freed up some CPU for Ripley, and because positive reinforcement is proven to work well on new puppies, she is rewarding you with Brain Stimulating Activities (aka safety training (or not)). This ship, especially dilapidated and running on emergency power as it is, is a dangerous place to be, even without the endless vacuum of space waiting outside to murder the absolute shit out of you. Characters will be given a VR visor, droids tapping a few buttons on a nearby console, and zipping away. Which, regretfully, means you won't be getting a warning or a say in what you're walking into, but walking into it you are, none-the-less. Sort of. Virtual walking. ⬡ Space walk; The Kostka IV has seen her fair share of daring battles and random asteroid clusters, leaving the frame of the beast of a ship pock-marked with damage. There's weakened structure, thermal panels missing, guns that don't want to get un-stuck and retract back into their housing. All kinds of nonsense. It's your job to tend to all that. Instructional videos will crop up on your HUD, walking you through your repairs, but that's assuming you can get to your spot at all, rather drift off into the sparkling black nether of the universe. Keep a good grip on the handrails outside. Now and again, something might give a quick, sharp shove, like hands against your side or your arm, attempting to dislodge you. Hold on tight, don't be tricked, and don't get lost. » NAVIGATION « General questions about the game can be directed to the FAQ, while TDM questions can be answered on the comment header below! Awakening threads for GOOD MORNING, STARSHINE, MAINTENANCE and NETWORK can be used as game canon so long as all parties agree. Arrivals are on Day 1, while the other two prompts can take place any time during the first 5 IC days of the game timeline. The VR PROMPTS diverge a bit from what we have planned for the opening and cannot be used to game canon, so please feel free to get creative with those! Reserves will open on: March 1st @ 8PM EST Applications will open on: March 5th @ 8PM EST |
steve rogers | marvel cinematic universe
( OOC: Taking him from a few days before the start of Infinity War! VR prompt is a general set up, so feel free to place your dude into the simulation however you want! )
VR
It must not spend much time aboveground, or all those delicate fins and flesh would dry out... She would rather not kill it, even knowing it is the furthers thing from actually alive. Knowing it can't really hurt her. She takes out the pistol anyway. She very precisely only shoots once, hoping that might scare the creature away and let them carry on with something else. ]
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Good shot.
[ His eyes remain fixed on the spot it disappeared for half a minute, waiting for it to reappear. Frowning. The lizard-vultures circling above have the same idea, quicker to determine safety. They drop back down to the sand not long after, back to what's left of their meal. ]
Let's get moving before it changes its mind. [ And watch their feet while they're at it.
He starts picking his way down the rocks, heading toward the outcropping to the east. The rocks are quick to give way to dunes again. ]
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Hm.
[ Despite her easy handling of the pistol and her sure shot, she is not a military woman. They had tried to instill it in her predecessor--obedience, conformity--but the Reach had failed in that pursuit. She wonders what is expected of her now. What if she had not been in support of this mission? What would they have done with her, if they couldn't drop her here, in media res. She puts the pistol back in its holster at her waist. Follows. She is not given to following. She needed to move free. It can be tolerated, for a time. ]
There will be more, in that hole.
[ Her voice isn't quite loud enough, like she's talking to herself. She seems to realize that, and repeats herself more loudly, ]
Animals will take shelter where it is shady, cool. But they may be asleep, conserving energy to hunt when night falls.
ps fill in the details however you want, I'll roll with it
:Q
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good morning.
[ And she's there, her hand solid where it presses against the side of his shoulder, kneeling to enter his field of vision. There's something blank that happens to her expression when she's on high alert, shedding the things that don't matter for the things that do. Extra-dimensional kidnapping seems to track on that list.
Natasha fixes him with a firm look. She's in orange, which is new, and it clashes with her still-red hair. It's long, tied back and starting to dry — she's been awake for a little while — and there's a spare suit draped over her shoulder. Two fingers find the side of his throat, intent on measuring his pulse without preamble. ]
It's going to take you a while to adjust, so breathe.
[ He'll recover quicker than she did, she knows. Natasha changes the pattern of her breathing anyway, like through subconscious lockstep, he'll follow through. ]
Muscle memory's first to go. You'll get it back.
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Registers her voice and that hand on his shoulder a half second before his eyes lock onto her face, his own expression a flurry of confusion and concern mixed with relief. Closes his eyes after another second, his hand reaching over to lightly grasp the forearm reaching for his shoulder. Stable, solid. Usually he'd be more considerate about grabbing for her like that.
Give him a second to wonder about the sudden change from blonde to red again. There's other sudden changes to reconcile.
Tilts his head a tick to the side when he feels fingers pressing at his neck— less to pull away than to offer her slightly better access to the line (I'm fine), eyes fluttering open again, breathing falling in step. His pulse is rapid but steady, slowing. ]
... how long you been up? [ A rasp to his voice, brow creasing. His gaze is searching over her again, more thoroughly this time. ]
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[ Short, clipped, mostly through a reliance on a well-enforced sense of efficiency. Steve can process multiple forms of information; he can recover and be debriefed, in so much as Natasha knows anything.
Which isn't much. Except that they have no food, a mass of people, and a disembodied A.I who sounds a lot like a little girl. So that's sort of fun.
The measured pattern to her breathing stays, at least long enough until she's satisfied that Steve's alright. (I'm fine doesn't always mean that.) Natasha retracts the touch at his throat but otherwise doesn't pull out of his space, not completely.
Quieter, ]
Okay? [ Shorthand, waiting for the verbal go. There's a lot of things to do and more to figure out. And also clothes, probably. ]
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lmk if you wanna stop here or time skip!
let's wrap it up! see you in-game?
yes definitely! thanks for tagging me here :>
good morning, starshine
Natasha has found the sheets, has one tied in a rather elegant toga dress, red hair loose around her shoulders. She's trying to help other people, make sure they get dried off as the air is cold, and from what garbled information she'd been given upon startling awake, it seemed like they might be more or less on their own for a while.
So, she's doing what she always does: putting on her game face and helping others. Not thinking about the end of the world, of the multiverse. Just this, just now, just what she can do. But when a man a few tubes over calls for Sam and Nat he becomes her priority.
Without the beard there might have been something that made her pause; the shoulders, the blue eyes, the eyebrows of disappointment. But the facial hair throws her off, but those names are ones she knows, and she never chalks anything up to coincidence.
She kneels down so that her eyes are level with his, blue on blue, and there's no humor to her face, but her lips tilt a little.]
Deep breaths. Let's get you dried off.
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It's the shape of her face. Slope of her nose. Little details that don't fit, don't match up to what he knows.
Eyebrows knit together, almost pained, and the name is half choked out from his throat: ]
Natasha?
[ Questioning her. ]
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[She didn't believe in coincidence, but it's still something when he says her name, the way that he looks at her. There's something familiar, but she can't quite put her finger on it. She's a little bit disoriented herself, but she's trying not to think about that right now.]
Think I missed your name, though.
[She's looking for something, and she holds out a hand if he needs it. Her paranoia is in high gear she should be dead, the whole universe was ending-- but she tries to keep her focus on the here and now. One piece at a time.
This is something she can work out. And maybe she shouldn't trust him, but any familiarity was a good thing for the moment. Wasn't like CNN hadn't run segments on her. It could be nothing.
But she didn't really believe that.]
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good morning
[ Of everyone he expected when he shook himself awake here- more and more stable the longer he spends stretching and sipping Stark Stew (soup, stew, whichever he hates thinking about it)- Cap's pretty low on the list. HIm getting caught, that's happened before. It's par the course, he's overdue a hostage situation.
Steve, on the other hand, isn't one for that. He fights his way out of everything, that's what he does. Man with the plan, all that. Tony levers himself up, leaning until he sees Steve equally covered in goop-
Bearded? That's.
New. ]
The hell...?
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Wasn't exactly expecting their first meeting since then to be on a spaceship in the middle of nowhere, but here they are. ]
Stark. [ Spoken like an answer, to his own name anyway— doesn't have much of one for the second part yet. His tone and expression lean toward concern, the same he's been extending to everyone else that's crawled out of a pod near him. ] Your guess is as good as mine.
[ He's still working past what the hell himself. Also, getting his legs functional for more than a few embarrassing steps. ]
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[ of every detail to fixate on that's an odd one but- it's safer than considering the goop, the tattoo still on his own damn neck, the fact that he's been cooked up in some sort of syth body and he still has the arc reactor cold and aching in the center of his chest, compressing his lungs, his heart. Cyborgesque bodies are supposed to make lives easier, not massively more uncomfortable-
Not thinking about it.
Staring over at Steve and wondering about the beard? Safe. ]
Or is this one of those...multiverse or. Timeline. Things? Because that's apparently a thing.
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wakey wakey, and kind of wildcardy idefk fite me jay
where he is, slightly elevated, it gives jack the view to spot steve's head of dirty blonde hair coming, and had it not been for the body it's attached to, jack may have never guessed it was steve at all with that beard going on. well, no, he would have, but it would take a minute to be sure, okay? given the last time jack saw him was before he was unceremoniously swept away, the petri dish drink goes entirely ignored, plopped down somewhere to the side of him and jack nearly falls over when he moves to slip off the exam table. ]
Steve. [ jack calls out over the others shuffling around the medbay, trying to get his attention as he half stumbles, half carries himself on the edges of tables and counter tops towards his friend. ] Steve!
[ once he's within range, jack abandons whatever chair or stand or lamp he's supporting himself with and reaches out for Steve instead, pulling him into a tight hug, regardless of how naked or bedsheeted steve may be. ]
Who told you you're allowed to grow a lumberjack beard like that? I don't recall signing off on it.
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Doesn't understand what they're dealing with yet.
Multiverse. Timelines. That's what's going through his head when this particular face comes hobbling over to him. It's a combination of that almost-familiar face and the excitement in the guy's demeanor as he makes his way toward Steve that has him freezing up, letting a stranger embrace him for a second while they're both barely clothed. His own arms hang awkwardly at his sides, and he nearly loses his balance to topple them both over. Manages to shift his weight so that his back slams into the wall behind him, knocking his head.
The beard again. That gets a puff of air past his lips, a wry sound that could be a laugh if the circumstances were different. ]
Whoa - hey. Sorry. [ The apology is genuine, if hinting at weariness. It's been a while since his body couldn't keep up with the rest of him. He can adapt, he just doesn't like it.
His hands find the guy's shoulders, lightly urging him back. Body space. ] Think you might have me confused with someone else. [ Another Steve.
A pause. Tension etched into his features. ] What's your name?
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selfishly, jack had feared it would come out like natasha and some of the others had - even if he were to come back, he might never remember meeting jack, or the months he'd known him, after. all the times he'd called him family, promised they'd find a way to get him to their universe and save him from returning to shiloh. well, this sure as shit isn't shiloh, but it's still better than where they were.
barely half a minute of flooded relief and joy, and the second thing steve says shatters it, confirming those fears. he doesn't know him.
all the animation in jack's features, in the hold of his body, flood out, leaving him more like a statue, and he sinks back and steve eases him away, moving an extra foot or so to put distance between them, and lean his hip against a counter top, arms folding over his chest. he swallows, clears his throat. ]
Jack.
[ detached, reported. there's a sorrow boiling up in him, and jack does everything he can to swallow it back down and bury it. he hardly even needs to ask this - ] I'm guessing the word 'Duplicity' doesn't mean anything to you, does it?
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water filtration
Even this man with his battle-hewn limbs would slip into the tank without so much as securing an emergency line out. None except her willingness to stretch an arm out to him out of the kindness of her heart.
So Elizabeth plays along, seating herself by the edge of the water, palms lightly resting on her thighs and the shadow of a smile on her face. She, too, can be American with their wild, unjustified optimism. ]
I'll count for you. Two minutes?
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The chances of whatever's been lodged down in the fan to dislodge itself while he's practicing seem slim enough. And if the worst were to happen— that's one way to test his upper limits.
His relationship with his body hasn't changed much: not with frail bones and bad lungs, not with muscles and impossible strength, and not now that he's somewhere in between. Not quite a disconnect. Maybe reckless, though. Maybe asking for an excuse to push himself.
Selfish.
Anyway, he doesn't make it the full two minutes. He kicks up suddenly, pulling up over the edge and hauling himself out of the water. ]
How was that? [ The voice of someone who knows he got a B- ]
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But not yet.
She leans forward to rest her elbows against her knees, the water lapping about her ankles. She sounds like a proud mother. ]
I think you can do better than that. Try again.
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water fan stuff
[ he'd like to say 'you're funeral if some space crocodile eats you', but he's not nearly Minho enough for that. he knows he'd be jumping in after this guy, if something started swimming towards him. or, you know, throw a droid in as a distraction. maybe. by the time thomas is done plotting up what to do should steve suddenly become a space-snack, the man's already dipped himself in, treading around at the surface.
check something? check what? ]
How'll you get it out without losing an arm? Or your face.
[ because, you know, the fan and all. it's big. it's powerful. you might get sucked in. ~physics~ ]
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If I can't hold my breath long enough to swim down there and get it out, won't matter. [ Which, is what he's going to do now. He's not falling over himself anymore, but he still doesn't know the limits of this body. Fortunately, no space crocodiles turn up. Brain eating amoebas are harder to track, but he ought to be fine so long as he doesn't get water up his nose. ] You wanna give me a count?
[ Let him know how he does. His hands grip the edge. ]
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Yeah. Go for it.
[ to his credit, he does keep count. he's also really, really good at mentally multitasking, so the entire time steve's underwater, thomas's eyes are on the fan below, the side of the canal, and the water in between. at one point, he looks down at the ground, scavenging for a small piece of debris, before stepping up to the edge and tossing it in somewhere a few yards behind where steve is submerged. two counters going in his head - one for steve, the other for the debris. huh.
when he pops back up, thomas reports his time, voice distracted and automatic. ]
Minute fifty-seven. I got an idea. [ now that you've done this whole test thing, forget about that, because thomas has a better idea. kids these days, right? he takes a couple steps back, pushing up his sleeves, and bounces some on the balls of his feet, about to start jogging away. ] Stay here, just... don't do anything yet. I'll be right back.
[ and don't get eaten by space gators. the kiddo takes off at a jog that rapidly picks up into more of a sprint - his own form of a body test, while he goes to get some stuff he needs. multitasking. ]
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Water Filtration; I'm sorry I'm terrible
Because his Steve is dead. Because the one that he'd liked so immediately back in Duplicity had vanished like smoke, just when he'd thought that maybe-- His fingers twitch at his sides, his mouth feels dry and he feels like he should say something, but he doesn't for a long moment, trying to come up with something, with the words that Natasha was always better at.
Bucky's in the same orange jumpsuit, and while his face is the same as the one Steve knows, he's a little lighter on muscle, his hair cut short, and Ripley seemed to think he didn't really need that metal arm after all as he's now all flesh and skin. There's pain, sadness to his blue eyes, but there's hope that sparkles there too.]
--Steve?
I like terrible
Yeah. [ He turns fully to face the new guy, eyebrows knitting together. Though the face threw him for a second, he's done this once already with Jack. Knows about the dimensional hiccups, and might be starting to suspect this ship has a fondness for this particular face. Not sure how he ought to feel about that. ]
We know each other from somewhere?
[ His tone is friendly, if guarded, the expression on the guy's face twisting something in his gut. ]
oh good :>
Yeah, you could say that. But it's complicated.
[He tries to school his expression into something less obvious, but he's always been heart-on-his-sleeve, and Steve probably knows that face well enough to read the lines. There's a flicker of guilt as he starts to talk, but he tries to hide it. To not say I let you die. He's been doing fine with that so far. Just gotta keep it up.]
Well, in my world, Steve Rogers was my best friend. But I'm guessing that you're from the other world. Duplicity doesn't mean anything to you, does it?
[The beard is wrong, anyway. Not that it's not a good look on him, it's just-- different. James' accent is a little different from Bucky's too; less New York, more New Jersey, because he really is from the darkest timeline.]
And if Bucky is too weird, you can call me James.
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